Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, nevertheless the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Faire Un Bateau En Papier Video Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has been used and one can make certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa Avion En Papier Qui Vole Très Bien Et Longtemps at a Convention in Liverpool. Another method of wet moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and we are approaching statue rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with Pliage Avion En Papier Facile different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the creature and then brought with each other. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a dragon from a number of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water
and paper we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from a single color is one side colored and one white or plain. A great deal of modern Origami uses this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese Avion En Papier Qui Vole Longtemps Et Loin papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind Bateau En Papier Facile of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.